Dwight A. Baker is a platinum producer / engineer / mixer /songwriter based in Austin, Texas who has worked with many artists such as Kelly Clarkson, Brandi Carlile, Bob Schneider, Blue October, Alpha Rev, and David Archuleta. You can also visit his recording studio's website: www.Matchbox-Studios.com.
A sampling of what I've worked on.
Tyrone Wells – Where We Meet
The Soldier Thread – The Bull
Bob Schneider – Lovely Creatures
Love At War
Halifax – The Inevitability of a Strange World
Vallejo – Thicker Than Water
Air Dubai – Day Escape
Bob Schneider – ChristmasTime
The Soldier Thread – Singles
Bob Schneider – A Perfect Day
The Heaven Switch
The Soldier Thread – In Spades
Anuhea – For Love
Mary Sarah – Crazy Good
Loni Rose – Shine
Saints of Valory – The Bright Lights
Suite 709 – Night & Day
Blue October – Any Man In America
Bleu Edmondson – The Future Ain’t What It Used To Be
Kelly Clarkson – My December
Language Room – Skin & Heart & Lungs
The record I mixed by Tyrone Wells is now at number 11 on the charts!
#24 on the pop charts and #79 on the whole of iTunes! Plus the iTunes main page now with the Anuhea record I produced.
Click here for full article: http://www.apiaudio.com/nw_950.html
Austin, Texas — October 2008: Matchbox Recording Studio, in Austin, Texas, has an abundance of both vintage and new analog equipment that, when coupled with a Pro Tools HD3 system, lends authenticity and a somewhat indescribable “organic heft” to the many projects that are recorded there. Owner and operator Dwight Baker, an accomplished songwriter (Kelly Clarkson) and drummer (Heart, Enrique Iglesias) in addition to a seasoned sound engineer, recently replaced Matchbox’s vintage API 2244 with a brand new 32-channel API 1608 small-frame console so that his studio would still have the “API sound” that he loves so much.
“I absolutely loved my API 2244,” remarked Baker, “but there is a shortage of good techs here in Austin. So when the 2244 went down, I called Mike Nehra at Vintage King for help. We have a full calendar of both up-and-coming bands and big ticket acts like Kelly Clarkson, and down time is absolutely disastrous. Since I prefer the sound of API gear to anything else, the new API 1608 was the perfect solution.”
The API 1608 incorporates the company’s discrete electronics topology and is built to the same exacting standards as the flagship Vision and Legacy Series consoles. The standard 1608, with sixteen input channels, eight buses, eight aux sends, eight reverb returns and full center section facilities, includes a dozen 550A three-band equalizers and four 560 ten-band graphic EQ modules with space available for eight additional 500 Series modules, a feature that Baker loves. “I put some Avedis MA5 pres in the open slots so I can inject some Neve tone here and there,” he says. “It’s cool (and a little weird!) to have other colors on an API console!”
Since its arrival three months ago, the 1608 has performed flawlessly. In addition to the classic API sound, which Baker fully expected, the engineer was pleased to find that the new console has significantly greater headroom than his old 2244. Drive-Thru Records artist, Halifax, and Universal Records artist, Bob Schnider, have both had the pleasure of recording their latest projects on Matchbox Recording Studio’s latest addition.